Weird fiction Monday: Fish in the Sea

It’s time for Weird Fiction Monday, when I post stories that I’ve written — both new and old — for the entertainment (hopefully) of my readers!  As always, I note that I haven’t done extensive editing of the tales here, so don’t be surprised to find the writing a little rough.  

While I’ve got round robin stories on my mind, I thought I would share a part of one I contributed to a number of years ago — 13, to be precise.  Back in the day, my friend Damon was organizing a number of round robin writing exercises, to be passed around by email.  In one of them, each participant had to build on a story based on a choice of one of five words offered.  In this case, I picked the word “crab.” 

Not sure where this little snippet came from — perhaps my cynical single life at the time — but nobody ever followed up on my contribution, no doubt wondering what the hell I was talking about.  I found this piece quite amusing, however, and some of my strangest work. 

Fish in the Sea

“Your table is available, sir,” the crab said, straightening its tie.  “Would you care to wait for the second member of your party, or be seated immediately?”

Anderson swallowed uncomfortably to clear his throat, and shook his head.

“I can be seated right now.  That’s fine.”

With a dip of its eyestalks, the crab host scooped up a pair of menus in one of its claws, waved the other one over its body in a sort of encouraging gesture, and scuttled towards the main dining room of the restaurant.

Anderson followed, walking slowly to avoid overrunning the creature, and he looked around nervously at the patrons of the establishment.  He mildly cursed under his breath.  All around him were crabs.  At the table he was passing on his right, two crabs clinked champagne glasses together that were held gingerly in serrated claws.  Ahead on the left, a pair of wide-bodied, bright orange crabs were tearing mercilessly at their meal, pulling the fleshy carcass apart with wild abandon.  A small spatter of skin landed on Anderson’s jacket, and he flicked it off hastily.

Then the maître d’ was beckoning him to a table, and Anderson found himself sitting, accepting a menu that was scored with many tiny claw holes punched into it.

No doubt about it, this was a crab joint.  Anderson cursed himself for allowing himself to be set up on yet another blind date by his friends.  He should have learned by now.

“David Anderson?” gurgled a voice beyond his menu.  Anderson lowered his menu carefully, and barely repressed a disappointed outcry.  A Portuguese man o’war was squatting before him, wearing a yellow rose on its body that matched the one on his own jacket.  The evening was clearly doomed even before it had begun.

Mustering all of the dignity he could afford, Anderson accepted and shook the proffered stinger, trying not to wince as its poison burned his hand.

 

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The Challenge from Beyond, with Moore, Merritt, Lovecraft, Howard, and Long

No matter how much classic weird fiction I read, there is still plenty out there that I have not read, or even heard about.  Recently I was surprised to learn about a five-part tale of weirdness, The Challenge from Beyond (1935), written by some of the greatest authors of weird fiction of the era: C.L. Moore, A. Merritt, H.P. Lovecraft, Robert E. Howard, and Frank Belknap Long.

challengefrombeyond

The piece was commissioned as one of two “round robin” stories for Fantasy Magazine, one being written by famed names in science fiction and the other written by famed names in weird fiction.  In a “round robin,” each author writes a section or chapter of a story and the next author in line must pick up and continue the story using only what came before as a guide.

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Supersymmetry in optics?

This is the first in a series of posts about the upcoming OSA Frontiers in Optics meeting in Orlando.  This post covers research related to the presentation FM4C.5: Mohammad-Ali Miri; Matthias Heinrich; Demetrios N. Christodoulides, SUSY-generated complex optical potentials with real-valued spectra.  To be (hopefully) cross-posted at the Frontiers in Optics blog.

(Edited to make a few additional observations.)

One of the most fruitful strategies in optics research is to investigate the implications of concepts and mathematics used in seemingly very different fields of physics.  The most dramatic example of this today is the foundation of the field of transformation optics, which uses the mathematical tools of general relativity to create novel optical devices.  As I’ve discussed in previous posts, treating matter as an effective “warping” of space has led to the theoretical development of exotic objects such as invisibility cloaks, “perfect” optical illusions, and even optical wormholes.

With this in mind, it was probably inevitable that scientists would tap even more unlikely fields for inspiration.  In a recent paper*, researchers at CREOL and the Max Planck Institute for the Physics of Complex Systems apply the mathematics of supersymmetry in the design of optical structures.

If you’re not familiar with supersymmetry**, it is best known as a hypothesis in particle physics that literally doubles the number of elementary particles that exist in nature, and serves as one possible extension of the standard model of physics that attempts to provide a unified “theory of almost everything.”  It turns out, however, that supersymmetric math can be applied to more mundane problems, including quantum mechanics and optics, the latter of which we consider in this post.

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Posted in Optics | 4 Comments

Hummingbirds at home!

I’ve been rather busy with work these past few weeks (months, even) and haven’t had as much time as I’d like to post good optics and history of science posts.  In the meantime, I thought I’d share some recent pictures of hummingbirds that I took in our backyard.  We’ve had a feeder up, and a number of hummingbirds have stopped by on a regular basis (every 5 minutes, even) to take a drink.  This has made it relatively easy to get some nice shots of the birds, which are some of my favorite animals out there.  Click on pics to see full size, which includes lots of lovely detail.

This nearly perfect shot I took yesterday was of a female ruby-throated hummingbird.

 

We’ve also had a rather rough-looking male visiting regularly, and most of my pictures are of him.  I was worried that he might be sick, but he seems to be having no trouble at all chasing away other hummingbirds from the feeder.  My clearest picture of him is below.

 

You can’t see the ruby throat in this picture, but I’ve noticed that they have the ability to display or hide the colors at will.  Different pictures of the same fellow will show dramatically different levels of color.

One time when he saw me spying on him, the hummingbird retreated to a nearby flowering tree to have a snack and keep an eye on me.

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The lighting wasn’t perfect (raining today), but I’m hoping to catch him on the same tree in the sun on another occasion.

When I looked through my pictures, I noticed something I haven’t captured before: the hummingbird’s tongue out!

Be sure to click on the picture to zoom in and see it.

I’ll be back with more optics posts in the near future — as well as more hummingbird pics!

 

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Weird Fiction Monday: Head Games

It’s time for Weird Fiction Monday, when I post stories that I’ve written — both new and old — for the entertainment (hopefully) of my readers!  As always, I note that I haven’t done extensive editing of the tales here, so don’t be surprised to find the writing a little rough.  

In fact, this particularly story was just written last night on a lark, so it’s even rougher than usual.  I say a little more about where the idea came from at the end of the post.

Head Games

Nothing remained living in the laboratory when I entered.  Doctor Kelsey and his medical staff were dead, their bodies a collection of red mangled horrors on the floor that contrasted terribly with the white antiseptic nature of the rest of the room.   Kelsey’s patients – technically, his one patient – were also dead, lying silently upon the operating table.

I took all of this in within an instant.  In the next instant, my gaze was drawn to the odd incongruity of balloons hanging from the ceiling at regular intervals.  I hardly had time to understand their significance when the chemical fuse went off.

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A few intriguing Valancourt Books releases!

Been very busy with work lately, trying to meet some deadlines before the start of the Fall semester.  In the meantime, I thought I’d say a few words about a few recent Valancourt Books releases that I read on my Kindle.

Valancourt Books, traditionally publishers of early Gothic and Victorian era novels, has recently expanded into 20th century fiction.  Of course, I’ve been involved in these releases myself, writing introductions for a collection of books by John Blackburn (see here and here and here).  I’ve really been enjoying the opportunity to read some forgotten but really wonderful — and often nasty — works of weird fiction of the last century.

One of these is the short story collection of J.B. Priestley, The Other Place (1953).  I’ve previously blogged about Priestley’s really clever and sinister “old dark house” novel Benighted, so I was curious to see what his other weird work was like.

theotherplace_med

The collection is pretty good, though many of the pieces play out more as vignettes than full-fledged stories.  Also, the stories are not at the same intensity of horror that Benighted had, not that Priestley necessarily intended them to be.  There are nine stories total, including a few that stood out to me:

  • The Other Place.  After a lonely man saves Sir Alaric Foden from being killed in an auto accident, the baronet gives the man an unusual gift: the ability to travel to The Other Place, an idyllic perfect alternate world.  When the man’s rash actions cause him to leave The Other Place prematurely, he forces his way back over, with horrific results.
  • The Grey Ones.  Mr. Patson seeks psychiatric help when he becomes convinced that there are beings among us, disguised in human form, that are planning to destroy the collective soul of humanity.
  • The Statues.  A jaded London reporter starts having visions of monumental statues in the heart of the city.  Where did they come from, and what do they mean?
  • Mr. Strenberry’s Tale.  This tale is genuinely horrifying! Mr. Strenberry shares his story with a person passing through town.  Strenberry has had a vision of the future, and the ultimate and final demise of humanity.

Ironically, the vignette nature of some of Priestley’s stories have inspired me to write my own versions of them!  The Statues and Mr. Strenberry’s Tale, in particular, leave lots of unfulfilled possibilities in them that I’m planning to explore in my own work.

The other Valancourt Book I read recently is best summarized by a quote from Thomas Hobbes’ Leviathan: “nasty, brutish and short.”  I can think of no better way to describe Stephen Gregory’s 1986 novel The Cormorant, though I definitely mean it in a good way.

cormorant

When a young writer’s uncle Ian dies, it seems at first to be an incredible boon for him and his family: Ian left him a beautiful country cottage in North Wales.  However, the inheritance comes with a catch: the writer must also take care of the late Uncle Ian’s pet bird, a wild cormorant.

A great cormorant.  Looks like a sweet bird, no?  This novel will make you change your mind.

A great cormorant. Looks like a sweet bird, no? This novel will make you change your mind.

The bird is an immediate disruption to the family’s placid life: it is foul, violent, and a genuine threat to the couple’s young son Harry.  They attempt to make the best of the situation, however, and the writer finds himself growing more and more attached to the obnoxious creature.  As its influence grows, however, the danger to the family increases, and there may be something even more sinister pulling the strings of them all.

The novel is short — only 132 pages — but it is unrelenting and horrific.  It is almost certainly not for everyone; hell, I could hardly handle reading it through to the end.

The story is curiously reminiscent of another, much older, novel that I blogged about recently, The Worshipper of the Image (1899).  In both books, an artist becomes more and more obsessed with an unusual object and it tears apart the man’s life and family.  The Cormorant is waaaay more intense than ‘Worshipper, but the similarity in theme is striking.

Any fans of extremely intense and nasty horror will find The Cormorant to their liking! I’m curious to read more of Stephen Gregory’s work now.

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Cat-turning: the 19th-century scientific cat-dropping craze!

One thing I’ve learn from studying the history of science is that scientists are human beings.  Often incredibly weird, weird human beings.  For example: in the mid-to-late-1800s, an exciting era in which the foundations of electromagnetic theory were set and the electromagnetic nature of light was discovered, a number of the greatest minds in physics were also preoccupied with a rather different problem.

Dropping cats.

"Say what!!??"

“Say what!!??”

Yes, physicists of the era were intrigued by the phenomenon they referred to as “cat-turning,” the ability of felines to land on their feet when dropped from pretty much any orientation and any height.  Experiments were performed with (presumably not entirely unwilling) subjects and at least one paper was written — with photos.

So who were these experimenters on feline dexterity?

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Posted in ... the Hell?, History of science, Physics | 10 Comments

Richard Le Gallienne’s “The Worshipper of the Image” (1899)

I have been arguing for some time that there is much more of a connection between horror  and science than is generally appreciated.  In fact, I explore this relationship in detail on my Tumblr, Science Chamber of Horrors.  Occasionally, however, I find a book like Richard Le Gallienne‘s 1899 The Worshipper of the Image, which dramatically highlights how a macabre event can simultaneously spur tales of horror as well as scientific and medical advances.

worshipperimage

 

The novel is short, only 143 pages long — I read it in its entirety in bed one night.  It tells the story of a poet named Antony, who falls in love with a beautiful death mask of an unknown woman.  This mask exerts an increasingly negative influence on both Anthony and his family, eventually leading to horrible tragedy.

The novel is a short and enjoyable read, but what makes it really stand out is that the death mask — “Silencieux” — is actually based on a real death mask that became a cultural phenomenon in the early 1900s!  This mask went on to become “the most kissed face of all time,” as I explain below.

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Simple fun with polarizers!

There is a lot of interesting optics going on around us every day that we are often unaware of!  Some of these can be investigated with very simple and inexpensive tools, if one knows what to look for.  For instance: I’ve had a set of small polarized films sitting in my office for months.  The other day, I finally broke them out and, after some fiddling, it occurred to me that there are plenty of simple experiments that one can do with them!

Of course, to describe them, I should explain what “polarization” is!  It is a property that arises from the wave properties of light, specifically the transverse wave properties.  As I have noted a number of times on this blog, light may be described as an electromagnetic wave, with electric and magnetic fields being the quantities that “wave” as light travels, as illustrated below.

ehwave

The most significant thing about this illustration is that is shows that the electric and magnetic fields “wiggle” in a direction perpendicular (or transverse) to the direction of wave travel — this is what is meant by a transverse wave.

However, this means that, for any particular direction of propagation, there are two distinct ways for the electric field of a light wave to oscillate, such as horizontal or vertical.  The direction that the electric field oscillates — horizontal, vertical, or anywhere in between — is what we call the state of polarization of the light wave.

We don’t usually notice polarization because direct sunlight and light from ordinary incandescent and fluorescent bulbs is unpolarized: it contains equal mixtures of horizontally and vertically polarized light.  However, a polarizing film such as those I have end up blocking light polarized along one direction while allowing light to be transmitted along the perpendicular direction.  We can therefore use these polarizers to play with light polarization and see what weird things can happen!

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Basil Copper’s The Great White Space

H.P. Lovecraft not only introduced a fundamentally new genre of horror — “cosmic horror” — but inspired generations of writers who have built on his ideas and taken them in interesting new directions.

Valancourt Books recently released a new edition of The Great White Space (1974) by Basil Copper.  I snapped it up right away and devoured it (metaphorically, of course) over the course of a day.

thegreatwhitespace_med

Basil Copper (1924-April 2013) was an incredibly prolific author who wrote novels and short stories in horror and mystery.  His first professionally published story appeared in 1964, a horror story titled “The Spider.” He would go on to have a long relationship with the classic Lovecraftian publisher Arkham House, which curiously did not publish his 1974 ‘Space.

The Great White Space is a wonderful novel of cosmic horror, very much reminiscent of Lovecraft’s classic At the Mountains of Madness (with shades of The Statement of Randolph Carter, The Shadow Out of Time and a few other stories).  It is one of the best Lovecraft stories I’ve read which wasn’t written by Lovecraft himself!

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Posted in Horror, Lovecraft | 3 Comments