I haven’t done a “Horror Masters” post for a while, and it’s long past due!
Even if you’ve never read a Dean Koontz novel, you’re familiar with his work. Airport bookstores are constantly stocked with his books; finding a horror author whose last name doesn’t start with “K” can be quite a challenge when traveling (King, of course, being the other one).
Broadly speaking, it is easy at first glance to dismiss Koontz as a “pop” horror author of no serious depth. Many of his novels, especially his early work, follow a certain well-defined plot structure: boy/girl hero meets girl/boy love interest, both are threatened by some mysterious entity, they flee, they have a final confrontation with said entity in some isolated location and live happily ever after. Furthermore, his short stories, such as those compiled in Strange Highways, often seem clumsy and somehow ‘inefficient’.
It would be easy to dismiss Koontz as another pop horror author showering the shelves with forgettable drek (I’m lookin’ at you, Preston and Child!), except for one important, undeniable, unavoidable reality:
Dean Koontz’s story ideas are incredibly, almost maddeningly, clever – and they’re executed brilliantly.
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